For each video, the process sets out to maintain a certain frontality in relation to the subject portrayed in order to strip it of effect. The intensified image becomes a living scene in which the flows of the city come and go with the current of urban life.

Moreover, the videos are in loop, so they are not conceived in the form of a dramatic progression, instead revealing itself as a globality which is somehow out side time, somewhere which stretches, kneads and condenses time.

It is thus clearly shown that reality is no longer made up of separate things, of fixed geometrical forms, but has become something fluid, in a constant state of movement and transformation.